“It was the second time I did King Gong and it was the May Bank Holiday and it was stuffed full of human detritus.”
In 2011 Kiri Pritchard-McLean did her first gig for JUICE Comedy at our monthly new material night. After blowing us all away she made it onto the bill of our very first professional show at The Gatehouse Theatre, and after smashing that gig she went on to win Break-Out Act Of The Year at the annual JUICE Awards. Which, by the way, was an award we created especially for Kiri. We love her lots and this week we got to chat to her.
JUICE: How would you describe your type of comedy?
Kiri: I always find this really hard to answer because, without sounding too wanky, I don’t think I’ve found my voice yet as a comic. Certainly, the jokes I’m most proud of and I find funniest are usually the first to get cut from my set.
I suppose it’s just anecdotal stuff built around “gags”. I tend to think of a joke or a point I want to make and then manipulate the rest around that.
JUICE: How did you get started in stand-up and why? What was your first gig like?
Kiri: I used to work in a drama school when I was a teenager in to my early twenties and I used to write the sketches for the shows that we’d put on. I realised I really enjoyed writing and I really enjoyed performing- not acting, more showing off- so I went to University firstly to do a Bsc in Psychology and spent that first year drunk and trying to do performance things anyway. So, I did an audition at The University of Salford (The original University of Life), for the performing arts course, they asked me what I wanted from the course and I told them I wanted to write and produce and they were like “Don’t do performing arts, do this course”. So, they put me on this brand new course called Contemporary Theatre Practice and it was as wanky as it sounds. But it also did lots on autobiographical performance, which, if you have a sense of humour is basically stand up.
I then did the unthinkable and did a comedy course. That’s where I met my other half actually. I did the course and then wandered around telling people I did stand up comedy without actually doing it. I think I gigged three times in the ensuing 18 months? My first proper gig was King Gong at The Comedy Store. It was scary but luckily for me the MC, Mick Ferry, sorted of interrupted my set and I think that bought me some time as I got to 5 minutes. There was 28 acts on that night and 4 of us got to the clap off- needless to say I didn’t win but I think it was a decent baptism of fire.
JUICE: What do you take with you to a gig? What’s in your gig-bag?
Kiri: It’s just my usual hand bag because I can often pick up gigs in the day whilst at my day job so need to be able to go straight from work to the gig. Essentials are my notebook, mascara, eyeliner and Sat Nav. To contextualise, the make up isn’t as vain as it seems. I’m quite expressive on stage so I find it helps if I’ve emphasised my eyes a bit.
JUICE: If you had to estimate, roughly how many miles do you think you’ve done over the years?
Kiri: The first 18 months of doing stand up “properly” – gigging regularly I would go anywhere for any stage time. I remember driving to Newcastle 3 times in one week for 5 minutes of stage time. I’ve tried to be a bit more selective now but I still rack up the miles. According to my tax return- I went self employed at the start of 2011, the first three months of the year I did 1322.2 miles. Last tax year I did 5130.7 miles and that’s excluding gigs where I’ve got the train eg Cardiff, London, Scotland.
JUICE: What’s been your most memorable gig to date, for either good or bad reasons?
Kiri: Hmm, probably the first time that I died actually. I had got to about 10 gigs and was sure I was the second coming because I’d yet to have a bad one. Then I did the Preston Frog and Bucket and there was some people there from university- supporting a mutual friend- that I thought were bellends and then I just bombed and, didn’t make the clap off and it’s the only time it’s happened. It was horrific. i was with my other half and I just remember being so upset and telling him I was quitting all my gigs and that I hated comedy. I handle rejection really well…
The other memorable one is another bad one! It was the second time I did King Gong and it was the May bank holiday and it was stuffed full of human detritus. They were literally seeing if they liked your first joke and then kicking you off if you didn’t. Awful. I did my first bit, went well. Then a stag party started heckling me and I replied, the audience laughed but the stag party lost their shit. They were standing up and booing me and shouting “get her off”. It was so lousy I had to turn my back on the left hand side of the room and just play to the right an centre and pretend there wasn’t a baying mob behind me. Horrendous. I got to the 5 and, again, didn’t win. I remember calling my fella afterwards and saying “yeah, I did a good job and I got them all eventually. But, I hated that. Really hated it, that’s not comedy”. Was a bit of a wake up for me as I had a good think about why I was doing comedy and what, if not that, did I want from it.
JUICE: Where’s your favourite place to perform?
Kiri: This will sound disingenuous but JUICE’s gigs are really wonderful. Smart people who are up for a nice night. I like the Crumbling Cookie in Leicester too. I always like gigging back in Wales too.
JUICE: Which comedians have influenced you over the years? Who are your comedy heroes?
Kiri: I was raised on Billy Connelly and used to watch his stuff over and over but I don’t think it’s a stylistic influence, I’d love his warmth and honesty on stage. Richard Pryor was the first comedian whose DVD I watched where my mind was blown. I was just baffled by how hilarious and new it was, to me anyway. Just before we got together my other half took me to see Richard Herring doing “Headmaster’s Son” and I’d never seen an Edinburgh show before, blew my tiny mind. Maria Bamford is my favourite. I look at her jokes and they work on so many levels and frequently she’s taking really prickly topics and dealing with them in such a deft manner people don’t even realise they’re engaging with a really powerful piece of social commentary. I just love her. Tony Law does it as well. People might think it’s weird voices and someone who doesn’t know what hes doing but it takes a lot of skill to make it look like that whilst making important points.
JUICE: Who are your favourite acts on the comedy circuit right now?
Kiri: Hmm, well, Tony Law obviously. I love the atmosphere that Barbara Nice can create in a room, it’s unashamedly feel good without a trace of “this will get bums on seats” cynicism.
There’s a new act called Jon Taylor who has wonderful writing it’s that ultra real Louis CK writing that’s so visceral but he’s not making the mistake I’ve seen countless others do and just perform a parody complete with american accent. Jordan Brookes is excellent too. A Welsh act (biased) and his writing and performing is superb, really really well honed.
JUICE: What else are you up to?
Kiri: I have a sketch group (I write and direct, I DO NOT ACT) and we have a full length show in the Lass O Gowrie in Manchester on the 9th of October. It’s the thing in comedy I’m most proud of.